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The sculptural masterpieces of National Artist Benedicto “BenCab” Cabrera and contemporary artist Mark Justiniani take center stage in Iloilo City through “Rhapsodies and Recollections,” the latest
Amid the growing threat of commercial fishing encroaching on municipal waters, Kikik Kollektive takes a stand through a compelling art collection exhibited at SM City Iloilo,
Art for Everyone 2025 will showcase the works of Ilonggo artists at SM City Iloilo from July 15 to 31, 2025, in celebration of Filipino art
The sculptural masterpieces of National Artist Benedicto “BenCab” Cabrera and contemporary artist Mark Justiniani take center stage in Iloilo City through “Rhapsodies and Recollections,” the latest
Amid the growing threat of commercial fishing encroaching on municipal waters, Kikik Kollektive takes a stand through a compelling art collection exhibited at SM City Iloilo,
Art for Everyone 2025 will showcase the works of Ilonggo artists at SM City Iloilo from July 15 to 31, 2025, in celebration of Filipino art
Marrz Capanang to present a deeper narrative for his 6th Solo Show, “Mga Kalibutan / Realms”—opening on July 19, 2025, at the Iloilo Museum of Contemporary
Iloilo’s “Paghili-usa” Mural is the latest addition to its growing collection of public art. If you’ve ever walked along Esplanade 8, where the Iloilo River meets
Les Amacio’s Human(s) Are Fragile Too, a sculptural installation in the exhibition Cultural Workers: NOT CREATIVE? at the Iloilo Museum of Contemporary Art, reexamines the symbolic
Two decades after his groundbreaking solo exhibition at the University of Pittsburgh in Bradford, Pennsylvania, renowned Filipino artist Joel Ferraris returns with Free Flow 2.0, his
Margaux Blas is turning heads — and trash — into treasures with the upcoming launch of her very first eco-art installation, “Mangrove Memory,” opening June 6
Kikik Kollektive and Northern Iloilo State University (NISU Main Campus) in Estancia, Iloilo, unveiled Dagyaw Mural 2025 on May 23, 2025, highlighting its 3rd university week
Print Fair+@GAS affirms that the pulse of Philippine printmaking beats strongest when regional perspectives are seen, heard, and celebrated. Hence, works of regional printmakers from across